Michelangelo Raphael and Botticelli Were All Commissioned to Make Art Fo

Leonardo da Vinci

The nigh famous artist in the earth, Leonardo was nurtured by Lorenzo de'Medici. Botticelli, Michelangelo and da Vinci equalled unparalleled genius, now known as the "High Renaissance". Leonardo was more just an artist. It is argued that no human has always studied more subjects or generated more than ideas, than Leonardo da Vinci.

Leonardo the creative person

Born in 1450, the son of a lawyer and his peasant lover, Leonardo, like thousands of talented boys, was drawn to Florence. He was soon employed past the painter and sculptor Verrochio, whose busy workshop served many powerful families, including the Medici. Even every bit an apprentice, Leonardo'due south talent was difficult to ignore. His contribution to the "Baptism of Christ" was so vivid, information technology was said that Verrochio threatened to give up painting.

Leonardo was experimenting with oils, a radical technique previously known just in the Northern Europe. Traditionally, Italian artists had painted with egg tempera (pigment mixed with egg yolk or whites), a messy and smelly mixture which dried apace and often appeared to crack. By mixing his pigment with oil, Leonardo discovered a more than versatile colour, which could be built upwards in layers to add together depth and tone, or even painted over, to cover mistakes. Information technology was the start of an artistic revolution.

Baptism of Christ
Past 1481, Leonardo had outgrown Florence. He approached Lorenzo de'Medici for help. Lorenzo referred him to his friend, the Duke of Milan, whose needs were more practical than creative. This suited Leonardo perfectly, as he had surpassed the demand for simply a studio and was desperate to build marvellous inventions. In one case in Milan, he couldn't resist a commission that became the most famous fresco in history, "The Last Supper".

Leonardo returned to Florence in 1504, and was fatigued into a competition with the upstart, Michelangelo. Both artists were offered a wall of the regime palace on which to paint frescoes of famous Florentine battles. Leonardo experimented unsuccessfully with his new technique, and his fresco soon fell off the wall. All that remains is a copy of his original design, or 'cartoon', a freeze-frame of a gruesome, action scene.

Italia shortly descended into anarchy, with warring armies carving their mode from Milan to Rome. Leonardo fled to the French court of Francis I, where he concluded his days working on the most famous portrait in the world, the "Mona Lisa".

Leonardo the scientist

To be the ultimate Renaisssance man, one had to chief every discipline, from natural science, engineering and architecture through to philosophy and art. Leonardo wrote detailed notes on all of these subjects, and in the margins he ofttimes left tantalizing doodles of astonishing machines, tanks, parachutes, helicopters, many of which might actually have worked.

Unlike his rival, Botticelli, who took inspiration from philosophical ideals and poetry, Leonardo was obsessed with the natural world. From a immature age he was adamant to reflect every particular.

"Nature is the source of all true knowledge. She has her ain logic, her own laws, she has no effect without crusade nor invention without necessity," he said.

Throughout his life, Leonardo produced thousands of constitute and animal studies particularly about horses. He struggled to capture the chaotic behaviour of water and also embarked on the most controversial practise of the day, the study of anatomy. Procuring corpses from the hospitals of Florence, Leonardo engaged in private dissection and inquiry. He secretly discovered many features of human anatomy more than 200-years before they became common knowledge.

The Medieval Church condemned Leonardo's work, claiming it was anti-Christian and occult. Accused of black magic, he was forced to leave Italy and seek refuge at the more liberal court of the King of France.

Leonardo died on May 2, 1519 in Cloux, France. Fable has it that King Francis was at his side when he died, cradling Leonardo's head in his arms.

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Source: https://www.pbs.org/empires/medici/renaissance/leonardo.html

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